A powerful and personal documentary on the Venezuelan public health crisis is participating at this year’s Human Rights Competition of Verzió. Está todo bien’s director Tuki Jencquel gave us some insights on the day of the premier at Verzió.

Interview with Alexander Nanau, director of Colectiv (2019), Verzio16 opening film by Oksana Sarkisova  

Ilham Tohti, an Uyghur economist fighting for the rights of China’s Uyghur minority, is the winner of the European Parliament's Sakharov Prize for Freedom of Thought in 2019. The winner was chosen by Parliament’s political leaders on 24 October 2019.

Rosie Garthwaite is the producer of the multi award-winning film The Workers Cup that premiered on the opening night of Sundance 2017 and was screened in the 15th Verzio Film Festival. We talked to her about the shooting, and her insights of the immigrant workers’ situation in Qatar.

Entering CEU last Friday evening was a very different experience from the usual serene atmosphere that one is used to just before the weekend. Loud chitchat, people waiting outside the auditorium, and nervous excitement in the air – it was the End-of-Semester Documentary Film Screening. These screenings have grown into a somewhat friendly tradition at the university where students have the unique...

Marish is a modern day slave in Hungary, owned by a lady, Eta, who is proud to “own” multiple servants in her home. Growing up in the heart of the more developed parts of Asia in Singapore and Hong Kong, where the domestic helper industry is large, I did not find it bizarre to have someone living in the house and doing all the cooking and cleaning.  

No Obvious Signs (Alina Gorlova, 2017) won 5 awards, but what makes this movie really worth to watch is its in-depth content, a honest, natural portrait of a traumatised person. The first salient thing we notice is Alina Gorlova’s line of vision: there is a notable non-large-scale lens shot with a camera, which creates the emotion of claustrophobia, belonging to the protagonist.  

Complicit is not merely documenting injustice, will to survive and a fight for human rights; this heart-breaking, eyes-opening documentary is asking you to take action on that. The movie is a wake-up call to anyone who has been dormant on the situation of occupational diseases and exploitation of labour in China so far.

In the Croatian coastal city of Rijeka, a theatrical play is about to start. It is called Aleksandra Zecand represents the murder of this 12-year-old Croatian Serb, who was executed along with her parents in Zagreb during the Croatian War of Independence in December 1991. At the entrance of the theater, a small group of ultraconservatives are demonstrating against the organizing of this...

The idea of doors and their representation is often an inviting, interesting choice for symbolism. They can be there or not; if they’re not, their absence is still meaningful, as it says something to us about the nature, practicalities, and inhabitants, of a certain space. On the other hand, their presence does the same thing, but conditioned by the position that they’re in;...