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What could be more glamorous than being a radical lesbian? If you're wondering, just watch Sally! by Deborah Craig, Ondine Rarey and Jörg Fockele, and you'll realise that the question is rhetorical. There she is, vibrant, overwhelming and proudly lesbian: Sally Gearhart.

The opening sequence of Redlight to Limelight shows a young man sitting on a bed in a small room. Together with his friend, they’re testing out their camera, following birds and painted trees. The director Bipuljit Basu follows Rabin and his friends, self-taught filmmakers, during the process of making their own fiction film about the life of a sex worker in Kolkata. The men are not sex workers...

Luuk Bouwman in his film, The Propagandist revives fragments of history on the silver screen, encouraging us to reflect on whether the past is ever fully behind us. Today’s digital environment offers a wide range of possibilities when filmmakers working with analogue and digitized moving images. Contemporary documentaries tend to reinterpret the use of archival materials.

Arjun Talwar’s Letters from Wolf Street is the Indian-born, Polish-based director’s attempt at a dialogue between his Indian and immigrant selves and between his artistic and political selves, through filmmaking— simultaneously inscribing itself into both Indian and Polish cinema’s histories.

Escapism has always been one of the most common coping mechanisms when reality is too difficult to face. But how far can we go in our attempt to escape? Make It Look Real by Danial Shah is a Pakistani–Belgian film portraying a photo studio in Pakistan where people have their pictures edited. In the film, the photo studio serves as a small sanctuary for people’s hidden desires – some ask to...

In a world where corporate giants generate unimaginable profits, it is easy to forget the individuals who make this possible: the workers whose labor sustains these corporations but who themselves remain in the shadows. Union (dir. Brett Story & Stephen Maing, 2023) sheds light on these hidden figures by following the creation of the Amazon Labor Union (ALU), the first independent union...

Perpetrator documentary as a subgenre emerged with Marcel Ophüls’s The Sorrow and the Pity (1969), which interviewed German officers and French collaborators alongside resistance fighters. This documentary and its influence basically established that understanding historical crimes requires engaging with those who committed them, not just with survivors. Luuk Bouwman’s The Propagandist (2024)...

Watching Danial Shah’s Make It Look Real, one frequently encounters scenes that invite comparison between the director Danial and the protagonist photographer, Sakhi. Both work with a camera, yet their conditions diverge in pay, equipment, and workplace. When Sakhi earns about 0.5 dollars per print, Danial recalls earning about 100 dollars per image a decade ago while shooting for newspapers....

“...And yet we are strong and we are smart. And we are weird, and we laugh… And we are crazy… And that throws them completely off the track.” It is 1973. Vibeke Løkkeberg, a Norwegian filmmaker, travels to West Berlin with a small film crew to document the First International Women’s Film Seminar. The footage they captured remained lost for almost fifty years. It is 2025. After the...