Archive footage in documentary cinema – Sergei Loznitsa masterclass
Venue: Blinken OSA (Arany Janos u. 32)
Date: March 19, 2019
The Visual Studies Platform at Central European University cordially invites you to the masterclass of award-winning filmmaker, Sergei Loznitsa. The event is free but requires registration. Please send an e-mail to firstname.lastname@example.org (subject: "masterclass") until 15th March.
In his presentation, on March 19, between 2-5 pm at Blinken OSA, Loznitsa will provide an overview on the various aspects and challenges of creating documentary films based on found footage.
Using examples from Loznitsa's oeuvre containing 4 montage documentaries - "Blockade", "Revue", "The Event" and "The Trial", the major stages of production will be introduced: from archival research to image restoration and sound design. The class will also dwell on the subject of "authenticity" and "truth" in documentary cinema and will present Loznitsa's unique point of view on the contemporary visual culture and the perception of "documentary" image in contemporary media.
The masterclass will be followed by the Hungarian premier of Sergei Loznitsa The Trial (2018) at 6 pm. The screening is free and open to the public. The seats cannot be reserved and are taken in order of arrival.
The event is introduced and moderated by Dr. Oksana Sarkisova (Blinken OSA, VSP).
Sergei Loznitsa (b. 1964) award-winning filmmaker working in both documentary and feature genres. His first degree is in Applied Mathematics from the Kiev Polytechnic. Following several years of work in the Kiev Institute of Cybernetics, he went on to study filmmaking at the Russian State Institute of Cinematography (VGIK) in Moscow, graduating in 1997. He has directed 19 award-winning documentaries many of which – among them Blockade (2005), Revue (2006), The Event (2015) and most recently The Trial (2018) – engage with archival footage and address central historical experiences of the 20th century. Another dimension of his documentary work is attentive observational filmmaking where the audience is brought to the places where history literally “takes place” – among them the Ukrainian revolution (Maidan, 2014) and spaces which palpably engage with historical trauma and its commodification (Austerlitz, 2016).
Sergei Loznitsa’s feature debut My Joy (2010) premiered in the main competition at the Festival de Cannes, followed by the feature film In the Fog (2012) awarded FIPRESCI prize at the 65th Festival de Cannes. In 2017, Sergei Loznitsa presented his third feature A Gentle Creature in the competition of the Festival de Cannes. In 2018, he received the Best Directing Award of the Un Certain Regard section of Festival de Cannes for his feature film Donbass (2018). In 2013 Sergei Loznitsa founded a film production company ATOMS & VOID.