Being a kid, playing in the streets of Budapest, one day you meet a guy with his camera. He films your games with your brother and friends. Scratching pants, playing  ball at the church gate, even drawing in the streets: the images appear blurred, passing from  one child to another, dynamic and shaky. Such a funny way of receiving attention, but also to attract attention.

A long chalk trail on the asphalt, like a sign on the streets of Budapest saying ‘I exist too’. Hoarse voices, the edges of the streets as a refuge, reluctant philosophies of life. Shaky and almost neurotic camera movements. Restless editing. Lurid photography. Outspoken and sometimes outright foul conversations. The trail keeps going, until it reaches a young boy tracing it on the sidewalk.

Following the shaking camera and loud sounds of skateboard wheels on concrete, we enter the life of an 8-year-old boy, Sanyi, when director Dávid Mikulán meets him for the first time at Boráros tér in Budapest. Sanyi is a rebellious kid who doesn’t like when people tell him what to do. He chooses to stay outside, play around, skateboard, and draw things on the streets with chalk. Home is a 28...

A family gathers to celebrate Stefie’s second birthday. Four generations of women are present, and they cheer as Stefie blows out the candles. There’s cake, food is being prepared in the oven. Everything seems to be fine. It’s mid-February of 2022, and they are in Kyiv, visiting from Mariupol. As the audience, we already know what’s in store for them. Some on the screen sense it, too, and yet...

The Stimming Pool (2024) is a hybrid film co-created by the Neurocultures Collective (Sam Chown-Ahern, Georgia Bradburn, Benjamin Brown, Robin Elliott-Knowles, Lucy Walker) and artist-filmmaker Steven Eastwood. Through its non-linear narrative, The Stimming Pool invites the viewer to share in the varied perspectives and thinking patterns of its neurodiverse creators. Barriers are broken down...

The Insides of Our Lives (2024), directed by Misja Pekel, is a film constructed from selected scenes of found footage which ultimately tells the coming-of-age story of two fictional girls growing up along a border in Europe. Blending scenes from separate origins into a singular sequence invites the imagination of the viewer to join in the narrative. The borders of the film itself are broken down...

My name is Kriszta Bódis..., I used to be a documentary filmmaker. I'm not saying that my profession has changed. On the contrary. The past tense implies a turning point.

A Frenchman in the Congo may raise eyebrows even today, but Armel Hostiou’s The Other Profile does something very different in this documentary revolving around identity theft and the quest to find the culprit, with unusual results. In what appears to be a film stemming from the director’s sheer curiosity with the situation, he takes on his first documentary project with laudable results, despite...

We are often taught from a young age that “Blood is thicker than water”. Except that later in life, we grow more and more tolerant towards the fact that not all families are the same, and not all families are willing to reconcile differences and conflicts. Sometimes families, despite the blood relations, can be abusive and reject you for who you are.