Since 1990, Michael has produced over 45 documentaries, TV doc series and feature films, among them internationally successful and highly-awarded films, such as Luna Papa (Bakhtiar Khoudojnazarov), Bella Martha (Sandra Nettelbeck), The Venice Syndrome (Andreas Pichler), Everyday Rebellion (The Riahi Brothers) and A Good American (Friedrich Moser, Executive Producer Oliver Stone). He wrote the scripts for several documentaries (i.e. Food Design, Hot Spot, BEER!, ÒRAIN – Beethoven), and directed TV documentaries. From 2009–2020 Michael worked as a tutor and adviser for the European MEDIA training program for script development SOURCES 2. Since 2018 he has concentrated almost exclusively on his work as a director and writer for his own documentaries. His awards include the Theodor Koerner Award for Literature (1987) and the Austrian Film Award for Best Documentary (2013).

Réka is a Budapest-based editor with over two-decade-long experience in film and television. Some of her most important projects include work with famous directors, among them with Oscar winner István Szabó or Jerzy Skolimowski. She has received numerous recognitions for her work such as, among others, the Best Editors Awards of Hungary, Best Critics Award or PO-land Academy Award. She obtained her Master's degree at University of Theatre and Film Arts Hungary, and she also has a degree in Theater Science at the Pannon University Hungary. She has been doing education and mentoring work since 2015 at the University of Theater and Film Arts Budapest, Free SZFE Budapest, Sapientia Film University Cluj and Budapest Metropolitan Film University. She was a juror of international juries and a member of the selector committee for international documentary workshops.

Diana Toucedo, is a Spanish filmmaker and editor based in Barcelona and Amsterdam. She stands at the intersection of film and research. Her work has been selected for film festivals, such as the Berlinale, IDFA, San Sebastian International Film Festival, Nara International Film Festival, Sao Paulo International Film Festival, FIDBA, Pesaro, DocLisboa, Visions du Réel, and others, and museums, like CCCB and the Centre Pompidou. Diana has edited more than 25 feature films to date, which have premiered and won awards at IDFA, Rotterdam, Cannes Semaine de la Critique, Moscow International FF, etc. She has also edited series for Netflix, HBO and Movistar. Diana currently combines her profession with teaching at Pompeu Fabra University (UPF), and is core-teacher in the Master of Film at the Netherlands Film Academy. She is also pursuing a PhD in Practice-based Communication, exploring how moving images address identities, memories, historical crystallizations and social tensions.

Brigitta got her Film and Motion Pictures Editing degree at the University of Theatre and Film Arts in 2014. She continued her master's studies in Norway, at the Norwegian Film School. She has attended several master courses and seminars, such as Norman Hollyn's editing workshop in Prague, Monika Willi's masterclass in Copenhagen, Chris Dickens' masterclass in London, and completed Robert McKee's story seminar in Ireland, in 2016.

She has been working as an editor since 2008. During this time, she has edited numerous works of fiction, animations, and documentaries. Her first feature project won the Gamechanger award at SXSW Film Festival. A short animation, Balcony, won the Jury Prize at the Annecy Festival, and Traub Viktoria's Mermaids and Rhinos received the Hungarian Film Critics Award. Her most recent documentary, Too Close, was screened in the Documentary Competition of the Sarajevo Film Festival. She teaches editing and dramaturgy for animation and motion picture students, and is a member of HSE, the Hungarian Society of Film and Video Editors.