UK

Vallomások a tükörben

Sarah Pucill has been making 16mm short films since completing her MA at the Slade School of Art in 1990. Her publicly-funded films have screened worldwide in galleries, and have won awards at international festivals. Her first feature-length film in black and white, Magic Mirror (2013), premiered at Tate Modern, toured internationally with LUX and was exhibited with photographs from the film at The Nunnery Gallery 2015. Her sequel to Magic Mirror, Confessions to the Mirror (2016), also shot on 16mm, premiered at London Film Festival and has since screened at international film festivals and museum galleries including the Alchemy Film Festival, Creteil Film Festival, National Portrait Gallery, and White Cube Gallery London. She has a doctorate and is Reader at University of Westminster. A forthcoming chapter on her recent films on Cahun will be published by Palgrave Macmillian, edited by V. Smith and N. Hamlin next year. Her work is collected and distributed through leading international distributors including LUX, The British Film Institute (BFI), and Light Cone Paris.

MENJEK/MARADJAK: Édes otthon

A SpeakEasy Project társalapítója, majd a SpeakEasy Project Berlin alapítója, 2012 óta több dokumentumfilmen dolgozott. Az Erasmus Euro Media díjas MENJEK/MARADJAK dokumentulmfilm-sorozat producere és több epizód rendezője.

2003 óta dolgozik a filmes szakmában, ez idő alatt számos nemzetközi produkcióban vett részt, mint vágóasszisztens.  2012-ben az angliai  National Film and Television School MA vágó képzésén szerzett diplomát. Ezt követően elsősorban dokumentumfilmek vágásával foglalkozott. Első dokumentumfilm rendezését ezen a fesztiválon láthatja a közönség, amelyet Imre Loránd Balázzsal készített közösen.

Kambodzsai tavasz

Chris Kelly egy díjnyertes videós újságíró, dokumentumfilm-rendező, valamint a Little Ease Films alapítója. Az elmúlt kilenc évet első egészestés dokumentumfilmje, az ‘A Cambodian Spring’ készítésével töltötte. Rendszeresen ír a Guardian című lapba. Egy 2014-ben készült, díjnyertes alkotás producere, mely a thai halásziparban jelenlévő rabszolgasággal kapcsolatos titkos nyomozásról szól. Munkája során megfordult Dél-Szudánban, Burmában, a Fülöp-szigeteken, Laoszon és Thaiföldön. Jelenleg animációs filmet készít a rabszolgaságról a thai halásziparban, egy egészestés dokumentumfilmen dolgozik egy ír férfiról, aki Szíriába ment Aszad ellen harcolni, valamint egy VR számítógépes játékon a rabszolgaságról és a migrációról.

LEAVE/STAY: Sweet Home

Loránd Balázs Imre is a co-founder of SpeakEasy Project, and founder of SpeakEasy Project Berlin. He has worked on a number of documentary films since 2012, and is the director and producer of the Erasmus EuroMedia Awarded documentary series, LEAVE/STAY.

Bálint Tusor began his film career in 2003, and has since worked on numerous international productions as assistant editor. He completed his Masters in film and television at the National Film and Television School in 2012, and in the last five years has mainly worked as a documentary film editor. Verzio will screen his first documentary directorial debut, co-directed with Loránd Balazs Imre.

A Cambodian Spring

Chris is an award-winning video journalist and documentary filmmaker, and the founder of Little Ease Films. He has spent the last nine years making his first feature documentary, A Cambodian Spring. He is a regular contributor to the Guardian newspaper, and in 2014, produced an award-winning, undercover investigation into slavery in the Thai fishing industry. His work has taken him as far afield as South Sudan, Burma, the Philippines, Laos and Thailand. He is currently developing an animated feature film about slavery in the Thai fishing industry, a feature documentary about a young Irish man who went to fight Assad in Syria, and a Virtual Reality computer game about slavery and migration.

Why Colonel Bunny was Killed

Miranda Pennell worked in contemporary dance before making films, and later studied visual anthropology. Her film and video work exploring different forms of collective performance has been broadcast internationally and presented in festival and gallery contexts. Her recent moving-image work uses archival materials as the starting point for a reflection on the colonial imaginary. Her film Why Colonel Bunny Was Killed (2010) was awarded best international film at the 2011 Images Festival, Toronto, and Courtisane Festival, Ghent. Pennell’s feature-length film The Host (2015), which reworks material drawn from the archive of the Anglo-Iranian Oil Company (now BP), won the Punto de Vista Award for Best Film (Pamplona) in 2017. She has worked as a contemporary dancer, a freelance commercials director, a teacher, and she also writes and curates.

The Revolution Hunter

Calling Mr. Smith

Photograph of Jesus

Confessions To The Mirror

Sarah Pucill has been making 16mm short films since completing her MA at the Slade School of Art in 1990. Her publicly-funded films have screened worldwide in galleries, and have won awards at international festivals. Her first feature-length film in black and white, Magic Mirror (2013), premiered at Tate Modern, toured internationally with LUX and was exhibited with photographs from the film at The Nunnery Gallery 2015. Her sequel to Magic Mirror, Confessions to the Mirror (2016), also shot on 16mm, premiered at London Film Festival and has since screened at international film festivals and museum galleries including the Alchemy Film Festival, Creteil Film Festival, National Portrait Gallery, and White Cube Gallery London. She has a doctorate and is Reader at University of Westminster. A forthcoming chapter on her recent films on Cahun will be published by Palgrave Macmillian, edited by V. Smith and N. Hamlin next year. Her work is collected and distributed through leading international distributors including LUX, The British Film Institute (BFI), and Light Cone Paris.

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