Jimmy Goldblum began his career as an interactive director and producer. In 2008, Goldblum won the Emmy for "New Approaches to Documentary" for Live Hope Love, an interactive documentary he produced for the Pulitzer Center. Goldblum also wrote, filmed, and produced “The Institute for Human Continuity”, an online narrative for Sony Pictures’ film 2012, which is widely considered one of the most successful transmedia campaigns of all time. Additionally, CNN called his first interactive documentary, “Yearbook 2006”, “so special…the best of the best” of all Hurricane Katrina documentaries. Goldblum's projects have won an Emmy, a Webby for Best Art Project, and have been featured in the New York Times, Washington Post, Time Magazine, and USA Today.

Miranda Pennell worked in contemporary dance before making films, and later studied visual anthropology. Her film and video work exploring different forms of collective performance has been broadcast internationally and presented in festival and gallery contexts. Her recent moving-image work uses archival materials as the starting point for a reflection on the colonial imaginary. Her film Why Colonel Bunny Was Killed (2010) was awarded best international film at the 2011 Images Festival, Toronto, and Courtisane Festival, Ghent. Pennell’s feature-length film The Host (2015), which reworks material drawn from the archive of the Anglo-Iranian Oil Company (now BP), won the Punto de Vista Award for Best Film (Pamplona) in 2017. She has worked as a contemporary dancer, a freelance commercials director, a teacher, and she also writes and curates.