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The March on Rome

Mark Cousins is an Irish-Scottish director and writer. His films – including The Story of Film: An Odyssey, What is This Film Called Love?, Life May Be, A Story of Children and Film, Atomic, Stockholm My Love, I am Belfast and The Eyes of Orson Welles – have premiered in Cannes, Berlin, Sundance and Venice film festivals and have won the Prix Italia, a Peabody, the Stanley Kubrick Award and the European Film Award for Innovative Storytelling. He has filmed in Iraq, Sarajevo during the siege, Iran, Mexico, across Asia and in America in Europe. Mark’s books include Imagining Reality: The Faber Book of Documentary and The Story of Looking. He has collaborated with Tilda Swinton on innovative film events, and tries to find new, filmic ways to explore his themes: looking, cities, cinema, childhood, and recovery. His 14 hour documentary Women Make Film tries to rethink cinema. His newest films are The Storms of Jeremy Thomas, The Story of Looking and The Story of Film: A New Generation. He has walked across Los Angeles, Belfast, Moscow, Beijing, London, Paris, Berlin, Dakar and Mexico City and likes night swimming.

Ciné-Guerrillas: Scenes from the Labudović Reels

Mila Turajlić is an award-winning director born in Belgrade, Yugoslavia. Her films have screened at numerous festivals and been released theatrically in Europe and North America. Her film The Other Side of Everything (2017), HBO Europe’s first co-production with Serbia, won 32 awards, including the IDFA Award for Best Documentary Film. Mila’s debut feature doc, Cinema Komunisto (2011) played at over 100 festivals and won 16 awards, including the FOCAL Award for Creative Use of Archival Footage. In her work with archives, Mila delves into questions about the representation of history at the intersection of personal memories and political narratives, seeking to reactivate forgotten histories. Her research-based artistic practice ranges from video installations commissioned by MoMA New York, to live documentary performances. In 2020, Mila was invited to join the AMPAS (Oscars) Documentary Branch. Her most recent project, the documentary diptych Ciné-Guerrillas and Non-Aligned: Scenes from the Labudović Reels, an archival road trip through the cinematic birth of the Third World, premiered in autumn 2022.

Geographies of Solitude

Jacquelyn Mills is a filmmaker from Cape Breton Island, based in Montréal. Her works are immersive and sensorial, often exploring a healing connection to the natural world. Her award-winning documentary In the Waves (2017) premiered at Visions du Réel. Her most recent work, Geographies of Solitude (2022) premiered at the Berlinale Forum and won three awards. It has since garnered 27 awards, including Best Canadian Feature Film at Hot Docs and Outstanding Artistry in Filmmaking from the Smithsonian in Washington, DC. Jacquelyn is a Sundance Doc Fund Alumni, an IDA Documentary Award and Canadian Screen Award nominee. She has also worked as an editor, sound designer, and cinematographer on many internationally-acclaimed films.

Matter Out of Place

Director, producer, writer and cinematographer, Nikolaus Geyrhalter was born in Vienna, Austria in 1972. Geyrhalter's static-camera, well-paced observational films tackle their subjects head-on, whether it's exploring the terrain in Chernobyl, Ukraine (Pripyat), tracing the route of the Dakar Rally (7915 Km), or investigating the production of processed foods (Our Daily Bread). At the age of 22, Geyrhalter started his own production company, Nikolaus Geyrhalter Filmproduktion (NGF). Geyrhalter examined night labor in Europe with Abendland (2011) and landscapes of urban decay across the world in Homo Sapiens (2016). The latter film played at the Berlinale Forum, the Hong Kong International Film Festival, the Cinéma du Réel Festival, the Edinburgh International Film Festival, Karlovy Vary International Film Festival, and the Viennale. In 2015, Berlin's Arsenal Cinema programmed a retrospective dedicated to his work. The 38th Cinéma du Réel Festival programmed a sidebar on his documentaries. Geyrhalter's films have also screened at the Museum of Modern Art's Doc Fortnight.

Deep Rising

Matthieu Rytz is a producer, curator, photographer, and award-winning film director. A visual anthropologist by training, his passion for storytelling has led him across the globe to witness and document complex human and environmental stories. Rytz specializes in creating multidisciplinary, multichannel projects using film, still images, and virtual reality – whichever medium best serves the story.

Bloom

Canadian documentary filmmaker and editor Fanie Pelletier graduated in social sciences and filmmaking. Her short film, Faded Photograph (2016), a revelation about her father’s life story, has been screened and awarded at several festivals. Her documentary Bloom, which, like her previous films, addresses the issue of representation in the context of social structures, is her feature debut.

Women Behind the Wheel

Hannah Congdon is a freelance filmmaker and TV producer, whose work focuses on gender, politics, and mental health. Her career began at the Berlinale, and led to making her own films. Her short films have been screened at Underwire, Manchester Kinofilm Festival, and Soho Film Festival. She has also been published by the Huffington Post. Day-to-day she produces current affairs documentaries for the BBC, Channel 4, and ITV. She was recently selected for the 2023 BIFA Springboard program for first-time British filmmakers.

Catherine Haigh has a passion for anthropology and ethnographic research. During university, she specialized in women’s health and conducted research with Syrian refugees that led to an award-winning thesis on migration and fertility. Cat is currently a sales manager for L’Oréal. Outside of work and film producing, she’s an avid traveler – from solo tours of India, to volunteering for earthquake recovery projects in Nepal.

The Silence of the Banana Trees

Eneos Çarka is a DocNomads alum and PhD student in cinema and media studies at USC. His films have screened at numerous festivals, galleries, and cultural events, such as IDFA, FIPADOC, DokuFest, and Festival dei Popoli, among others.

Chagrin Valley

Growing up in the Philippines, Indonesia, Brazil, and Switzerland, in 2014 Nathalie Berger completed a Bachelor’s Degree in Political Science and Economics at Duke University (USA), and went on to earn a Master's Degree in Documentary Filmmaking from the Zurich University of Arts. In March 2019, she completed her first feature documentary film, Call Me Intern, about millennials striking back against unpaid internships. It won Best New Zealand Feature and Best Editing at DocEdge Film Festival 2019, as well as the Nigel Moore Youth Award at DOXA. As a director she often works alone, but also works on other people's documentaries as a cinematographer. Since 2022, she has worked as a teaching assistant in the Cinema Department at the University of Arts (HEAD) in Geneva.

Snajka: Diary of Expectations

Tea Vidović was born 1986, in Zagreb. She graduated with a BA in sociology and an MA from the Zagreb Faculty of Humanities and Social Sciences. She co-organized the photographic-visual-music exhibition What Is Balkan? – Balkan Bude, to raise awareness about the presence of migrants in the local community. In 2011 she enrolled in the informal training program, Peace Studies in Zagreb, and collaborated on research for the film We Wanted Workers, Instead We Got People, by Đuro Gavran. In 2013 she began Restart’s Documentary Film School and developed ideas for her first documentary film. She has been employed at the Centre for Peace Studies since 2012, working on the integration of migrants into immigrant communities and other migrant-related issues.

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