angol

Egy halk és szelíd hang

Luke Lorentzen Emmy-díjas dokumentumfilm-rendező, a Stanford Egyetem művészet és művészettörténet szakán végzett. Midnight Family című filmje egy mexikóvárosi családról szól, amely családi vállalkozásban mentőszolgálatot üzemeltet. Ez a film több mint 35 díjat kapott filmfesztiválokon és különböző szervezetektől, többek közt a Sundance Filmfesztiválon a zsűri különdíját a legjobb fényképezésért, a legjobb vágás díját a Nemzetközi Dokumentumfilm Szövetségtől, valamint a Camerimage-től a legjobb dokumentumfilm Arany Béka-díját. A Midnight Family-t beválogatták a 2020-as Oscar-jelölt dokumentumfilmek közé, és a New York Times filmkritikusainak jelöltje volt. Luke rendezőként és operatőrként jegyzi például a Netflix egy saját készítésű sorozatát Az Utolsó Esély Egyetem címmel, amely 2020-ban a legjobb sportdokumentumfilm-sorozat Emmy-díját kapta. Luke Kellen Quinn-nel együtt társalapítója a független filmeket készítő Hedgehog Filmsnek.

A forradalom öt évszaka

Lina Damaszkuszban született, dokumentumfilm-rendező, újságíró és operatőr, aki az elmúlt tíz év során Jordániában, Libanonban, Szíriában és Törökországban dokumentálta az eseményeket. Az Essexi Egyetemen szerzett dokumentumfilmes mesterdiplomát. Több rövid és középhosszú dokumentumfilmet készített; első egész estés alkotása A forradalom öt évszaka, amelyet a 2023-as Sundance Fesztivál világdokumentumfilm-versenyében mutattak be.

Nothing Compares

Kathryn Ferguson Belfastban született, díjnyertes filmrendező és író. Miután egy évtizeden keresztül rövidfilmeket forgatott az identitásról, genderpolitikáról és közösségről, nemrég készítette el első egész estés dokumentumfilmjét Nothing Compares címmel Sinéad O’Connor énekesnőről, amelyet a 2022-es Sundance Fesztiválon mutattak be. A filmet világszerte vetítették mozikban is, és több díjat nyert, köztük a Legjobb Egész Estés Dokumentumfilm és a Legjobb Egész Estés Dokumentumfilmes Első Rendezés díját az idei BIFA díjkiosztón. Ezen felül 2022-ben Kathryn megkapta a BFI & Chanel a kreatív vakmerőségért adott díját az első egész estés dokumentumfilm rendezője kategóriában. A dokumentumfilm-rendezés mellett reklámokat és videoklipeket is rendezett többek között a Nike-nak, a Selfridges-nek, a Girls Who Code-nak, az Amnesty Internationalnek, a Dove-nak és az Air France-nak, valamint olyan előadóművészeknek, mint Lady Gaga, Neneh Cherry és a Villagers.

Is There Anybody Out There?

Ella Glendining is a writer-director dedicated to telling authentic disabled stories. She has written and directed short films with backing from Film4, the BFI, Arts Council England, Screen South, and the National Paralympic Heritage Trust. Glendining was named one of Screen International’s Stars of Tomorrow 2020. She is currently writing a feature fiction film called Curiosities of Fools for the BFI.

Rap and Reindeer

Petteri Saario is a Finnish documentary filmmaker, specialized in directing and shooting films about disappearing natural and cultural values, and the complex relationship between man and nature. He runs an independent production company, DocArt. His films have been awarded and screened at numerous festivals around the world, including IDFA, Prix Europa, Krakow Film Festival, Moscow Film Festival and Japan Wildlife Film Festival.

The Mind Game

Eefje Blankevoort studied history at the University of Amsterdam, and has since developed into a journalistic Swiss Army Knife. She writes articles and books, makes interactive projects, exhibitions and documentary films. She is the co-founder of the journalistic production agency, Prospektor. She co-directed The Mind Game.

Els van Driel is a freelance documentary filmmaker. She created the award-winning youth documentary series, Just Kids, about children’s rights, and was co-founder/director, together with Eefje Blankevoort, of the multimedia productions The Asylummachine and The Deal, an analysis of the consequences of the 2017 EU-Turkey deal. In 2020, she co-directed Shadow Game, a multi-award winning transmedia documentary project.

Sajid Khan (SK) Nasiri was born in Afghanistan, in 2004. He had just turned fifteen when he fled his homeland. His perilous journey to and through Europe took more than two years. He was one of the main characters in the multi-award winning documentary Shadow Game, and one of the driving forces behind the accompanying impact campaign, “Protect Children on the Move.” He has spoken in the European Parliament, at the Council of Europe, and in the Croatian Parliament to raise awareness of the violation of refugee children’s rights. He is currently studying in Belgium, and is working on becoming a TikTok journalist, reporting on the life of refugee teenagers in Europe and the Afghan diaspora. This is his co-directorial debut.

Love Is Not an Orange

Otilia Babara is a documentary filmmaker from Moldova, currently based in Brussels. She holds a degree in documentary filmmaking from the DocNomads European Master program (Belgium, Hungary, Portugal), and is a 2013 Berlinale Talents fellow. She directed and produced the short films Irene (2015), selected for several international film festivals, and Women on Canvas (2009), awarded at the Astra and Cronograf Film Festivals. She is drawn to those who usually go unnoticed. Her films expose big wounds hidden in small details. She's fascinated by the untold stories of women.

Free Money

Sam Soko is an award-winning director, producer, and editor based in Nairobi, Kenya. He is co-founder of LBx Africa, a Kenyan production company that works to bring uniquely African perspectives to global audiences. LBx Africa produced the 2018 Academy Award–nominated short Watu Wote. His first feature-documentary, Softie, a story about balancing a deep love for one's country with the needs of family, premiered at Sundance 2020, winning a special jury prize for editing. His satirical radio play, "The New Bwana," was produced and broadcast by BBC4. Soko is an outspoken defender of freedom of expression and has taken part in global conversations on how to make media matter when the world is on fire.

The March on Rome

Mark Cousins is an Irish-Scottish director and writer. His films – including The Story of Film: An Odyssey, What is This Film Called Love?, Life May Be, A Story of Children and Film, Atomic, Stockholm My Love, I am Belfast and The Eyes of Orson Welles – have premiered in Cannes, Berlin, Sundance and Venice film festivals and have won the Prix Italia, a Peabody, the Stanley Kubrick Award and the European Film Award for Innovative Storytelling. He has filmed in Iraq, Sarajevo during the siege, Iran, Mexico, across Asia and in America in Europe. Mark’s books include Imagining Reality: The Faber Book of Documentary and The Story of Looking. He has collaborated with Tilda Swinton on innovative film events, and tries to find new, filmic ways to explore his themes: looking, cities, cinema, childhood, and recovery. His 14 hour documentary Women Make Film tries to rethink cinema. His newest films are The Storms of Jeremy Thomas, The Story of Looking and The Story of Film: A New Generation. He has walked across Los Angeles, Belfast, Moscow, Beijing, London, Paris, Berlin, Dakar and Mexico City and likes night swimming.

Ciné-Guerrillas: Scenes from the Labudović Reels

Mila Turajlić is an award-winning director born in Belgrade, Yugoslavia. Her films have screened at numerous festivals and been released theatrically in Europe and North America. Her film The Other Side of Everything (2017), HBO Europe’s first co-production with Serbia, won 32 awards, including the IDFA Award for Best Documentary Film. Mila’s debut feature doc, Cinema Komunisto (2011) played at over 100 festivals and won 16 awards, including the FOCAL Award for Creative Use of Archival Footage. In her work with archives, Mila delves into questions about the representation of history at the intersection of personal memories and political narratives, seeking to reactivate forgotten histories. Her research-based artistic practice ranges from video installations commissioned by MoMA New York, to live documentary performances. In 2020, Mila was invited to join the AMPAS (Oscars) Documentary Branch. Her most recent project, the documentary diptych Ciné-Guerrillas and Non-Aligned: Scenes from the Labudović Reels, an archival road trip through the cinematic birth of the Third World, premiered in autumn 2022.

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